Sunday, June 24, 2012

To Be Discovered: THE LIZZIE BENNET DIARIES (2012)

It is a truth universally acknowledged that a single man in possession of a good fortune MUST be in want of a wife. 
You might think that line to be the opening to Jane Austen's Pride & Prejudice, but it's actually something that Mrs. Bennet, 2.5 WPF (White Picket Fenced) suburbanite neurotic housewife, printed on t-shirts for her 3 daughters Jane, Lizzie, and Lydia. Because in 2012, suburbanite moms (especially the ones voting for Rick Santorum in the presidential primaries) still aim above all to marry their daughters to a rich doctor. Especially in this financial climate where a family like the Bennets have a hard time making ends meet. Thus begins the new web series The Lizzie Bennet Diaries.

I admit I have quite an aversion for "modern adaptations" just as I do for unnecessary remakes. And that is the spirit with which I checked out the first episode of, thinking it would be so homemade-dreadful I'd get a good laugh at it. And admit again I do, I instantly fell in love with it. The producers of this thing (yes, producers, because this looks way too professional to be made in an actual student's bedroom) managed to keep the wit and the bite of Austen's social class commentaries within the confine of a three-character, 3-minute-a-week play. 


Jane Austen: All About the Style

The series concerns "Lizzie", aka Ashley Clements, a college student who's been coaxed by her lifelong friend Charlotte Liu (yes, Charlotte's Asian, Political correctness and all that, get over it) into doing a video diary for Charlotte's film class project. All she has to do is talk about her life, and at the moment it means her mom's shenanigans for her daughters to meet the new med student neighbor, Bing Lee (I mean really, get over it). Lizzie illustrates the players in her life through her witty impressions (I particularly coughed my lungs laughing at her take on a drunken jock that hit on her at a bar) and with the sometimes-unwanted help of her 2 sisters (yes 2, I mean come...). 

Episodes are short but full, easy to watch and very well written. To all purists out there, get a life. To all others, get some free time and catch up while you can. Series is already 22 episodes in (again, 3 minutes each, easy to watch) and has so far covered about maybe a third of the book. And since I'm such a good guy (no snarking, I am, ask my mom), here's the first episode right down here. 





And you can catch the rest of the episodes Right Here.

Monday, June 04, 2012

TV REVIEW: A&E's Longmire

TV Networks have been struggling a while to produce a western as good as Deadwood was but with ratings that won't force the former's kind of early demise. The solution, it seems, is to a) modernize the setting, and b) base it on a successful book (or series of). CBS nailed it with the Jesse Stone TV movies, while F/X surpassed that with the wildly addictive Justified. Was there any doubt others would give it a shot? The thing that has to be said right off the bat is that even though it isn't as original as the two previous examples,Longmire is just as darn-tootin' good. 

A&E's new offering (by the way, I haven't fogiven them for canceling Breakout Kings) comes from Craig Johnson's Walt Longmire novels and introduces Australian thesp Robert Taylor as the titular Malboro man. Alhtough the net publicized him as "The Matrix's Robert Taylor", be not fooled, this man is pretty much an unknown in these here North American parts, and may God brand me like steer if it isn't what works best about the whole thing. This character doesn't come with the ator's baggage, it introduces its own right off the bat. Of course we know what to expect -a gruff, broken, no-nonsense lawman- but this one knows he's out of touch with his time. He picks up litter right off the sidewalk (with his hands...), brushes off his shoes when walking into a house, and believes that The Hound of the Baskervilles should be law-enforcement required reading. THIS guy is on my watchlist as potentially the most interesting new character this year. 

Backing him are deputee Katee Sackoff whom I can't believe has such a hard time finding a job after being so brilliant in Battlestar Galactica, and eternal try-out Lou Diamind Phillips who's in his 3rd decade of trying to find a niche on TV (why DID Wolf Lake fail? it was pretty good!). Both characters present a puzzle to the viewer: starting out as clichéd and expandable but slowly being given all sorts of twists that make you feel they could be just as interesting as the headliner himself IF A&E remembered to hire the caliber of writers that made The Beast such a refreshing oddity a few years back (DAMN that was a good show...).

Perhaps the weak point if the show is the procedural aspect that we've SO much of thanks to CBS and the new wave they started with their uber-successful CSI franchise. If the producers of this new entry remember to keep the focus on their characters instead of trying to find a more clever weekly mystery than the shows that pioneered the current infection, than maybe Walt Longmire will stay long enough to give Raylan Givens a run for his money at the Emmys. If not, I will seriously question A&E's very reason for being. 

Wednesday, April 11, 2012

TAKE 5: Songs heard in TV ads


You know that song that plays in that TV ad that you've heard before and you really like but you can't for the life of Brian figure out what it is and it's keeping you up at night and it's bothering you so badly now you don't even shower anymore and your boss fired you because of the smell? You know, that one song? 

Worry not, here's 5 of those. 


5- Commercial: Lowe's
Song: ''Home,'' Girls Love Shoes

Home by Girls Love Shoes on Grooveshark




4- Commercial: Droid Razr 
Song: Turn It Gold (Ido Z Remix), by Hesta Prynn
Turn It Gold (Ido Z Remix) by Hesta Prynn on Grooveshark




3- Commercial: Enterprise Rent-a-Car

Song: Send Me on My Way,  by Rusted Root

Send Me on My Way by Rusted Root on Grooveshark



2- Commercial: Target

Song: Alouette, by The Delta Rhythm Boys

Allouette by The Delta Rhythm Boys on Grooveshark



1- Commercial: CITI

Song: ''Into the Wild,'' LP

Into the wild by LP on Grooveshark



**BONUS TRACK**
Commercial: Hewlett-Packard 

Song: ''Blister in the Sun,'' Violent Femmes

Blister in the Sun by Violent Femmes on Grooveshark


Monday, April 09, 2012

SCENE IT: A Game of Jacks



Its many narrative twists and tricks have been copied and stolen from here to eternity, still The Sting maintains its time-defying charm and entertainment values like few movies ever managed to. 

Director George Roy Hill leads The Sting with a light-hearted touch, presenting with what was then and still is now a much welcomed anomaly: a crime story that focuses on humor and characters instead of blood, violence and foul language. And it works! Why? Because of Newman & Redford. 

Those two act like they're on a different plane, and they are; always angling, scheming and keeping one step ahead of the villain as well as us all, fooling everyone all the way through an offbeat but surprisingly steady pace. AND being quite contagiously having a great time of it. This here scene, an addictive battle of wits and skills between two of Hollywood's all-time greatest both at the top of their game, is the perfect scene to hook anybody who's never seem this perpetual Top-100 dweller.

In today's Scene It, one of my personal favorite for as long as I can remember: The cheater's duel between Paul Newman's Henry Gondorf and Robert Shaw' Doyle Lonnergan.

Sunday, April 08, 2012

TAKE 10: Memorable Slaps




slap/slap/

Verb:
Hit (someone or something) with the palm of one's hand or a flat object: "my sister slapped my face".
Noun:
A blow with the palm of the hand or a flat object.
Adverb:
Suddenly and directly, esp. with great force: "she ran slap into Luke".
Synonyms:
verb.  smack - clap - cuff
noun.  smack - cuff - clap - slap in the face
adverb.  suddenly - directly


Saturday, April 07, 2012

Dancing with the Star Wars


I'm pretty sure the Star Wars Holiday Special sounded like a pretty f***ing good idea back in 1977. Unless TV execs truly ARE evil bastards bent on messing our heads up until we all drop dead of acute WTFitis. 

As for this, either the people behind this new "Kinect" game (X-Box thingie where you control the character with your own hot bod) never heard of the made-for-TV atrocity that wakes George Lucas up at night even 35 years later, or they were deliberately trying to top its cringe factor. In any case, Han Solo, like another Ford character, has officially Nuked the Fridge.


Fan-Made Functional Akira Bike

I know what I want for Christmas. Providing someone picks up on this guy's brilliant work.


His name is Masashi Teshima and he spent 7 years with $121K to build a real-life and fully functional replica of Kaneda's futuristic motorcycle from Akira. Complete with product placement stickers exactly where the original Manga and Anime has them.


This baby down here is the only one ever to be officially approved by Akira creator Katsushiro Otomo, approval given in part because of the owner's current tour of Japan on his bike in order to raise money and awareness for Autism research (a cause very dear and close to me). Can't wait for the Wal-Mart version so I can afford one.








Thursday, March 29, 2012

Just because I like it...

No connection whatsoever to movies, I just like that video so damn much I had to post it.
Band is called Metronomy, song is The Look. Still can,t decide if that drummer chick is cute or creepy...

Tuesday, March 27, 2012

REVIEW: The Hunger Games

I should start by saying two things. First, I didn't read the books; I tried but but but... the first 5 pages didn't grab me, a'ight!?! and that's usually my gauge for knowing if I'll like a book. Doesn't mean it's bad. Second, even without reading it I do agree with core fans that the film should've been  made Rated-R. I watched a movie where children -CHILDREN mind you- are sent by an authoritarian government to slaughter each other for entertainment, and I didn't quite feel the horror of that, not like when watching Battle Royale or reading Lord of the Flies. Maybe I was too distracted by Jennifer Lawrence's protuberant shiny cheeks, or the point is that we as a society have grown "comfortable" with this kind of violence. Which, granted, is a horror in itself.

For the few souls who don't know, the story is set in a post-apocalyptic future where North America has been redesigned into one rich and superfluous capitol which oppresses and enslaves poverty-stricken surrounding districts who decades ago tried and failed to revolt. As a means to keep them in line, each of the districts must send two juvenile tributes who will all fight to the death in a yearly televised event. The action thus follows the underdogs, the duo from the poorest district whose spirits and ingenuity will challenge more than the other contestants.

I have to give praise to Lionsgate who knew they were holding something special and went all-in by injecting $80M into it (their biggest investment ever) without however making it a Michael-Bayesque atrocity. Director Gary Ross already proved his chops at using tricky visuals to help carry a story instead of swiping it, and keeps a surprisingly steady pace for a 2h20m  film where the Games themselves only start at the half-way mark. He does however make it too sleek, sometimes even going Tony Scott-like with unnecessary shaky and blurry shots (at least one person in the audience had to "leave n' heave" because of it) and missing the mark repeatedly when he should've gone for far more shocking and arresting a narrative. He instead tries to romanticise the whole thing, Twilight generation requirement I guess.

"Toi et moi dans'l couloir, ta-tsa-na-na..."

What does serve the narrative and quite well are the incredible costume, courtesy of Judiana Makosvky whose  unique touch brought to life Harry Potter's robes and the X-Men's leather uniform. The clothing and make-up serve as in intentional indicator of  these people's politics, allowing to gradually discover their world through fashion instead of having it all spoon-fed to us wholesale. Where the district dweller's rags uniquely reflect each of their personalities, so does the Capitol citizen's overdone flash reminds us that they too are prisoners to their society's divide. Elizabeth Banks' universally concealing make-up and wigs can't be interpreted otherwise; her situation in life desperately depends on her self-torturing with corsets and booties that no one even today would dare risk their life with.

Speaking of Lizzie Banks, somebody please write her up for a Best Supporting Actress nod as I found myself unable to take my eyes off her every appearance, making her character far more complex than it had the right to be. Same goes for Woody Harrelson who arrested me with the singular use of his voice that conveys just how little life is left in his Games mentor character, showing us without visual aid the full horrors he himself was submitted to. As for the leads, Jennifer Lawrence is as solid and confident a choice as you could get for such a part, though her chemistry with co-star Josh Hutcherson never feels quite right. Maybe that was the point, would need to ask the book's fans in that regard. Not that I will. Sorry.

"Domo Arigato, Mr. Robot-O...."

All in all I was surprised at how entertaining and well crafted the film was, but found myself craving a more incendiary approach to a subject matter that does touch us all in this day and age: juvenile violence. Most surprising though is how wide-appealing it is, compared to it's shining-in-sunlight predecessor who mostly catered to a tweeny-ladies viewership. Definitely recommended, but not in IMAX. Leave n' Heave, you know...

Final Word: 7.5/10








Since no one will say it...


Sunday, March 25, 2012

SCENE IT: Down With the Bridge



THE BRIDGE ON THE RIVER KWAI: Climactic Ending

An epic movie which is large in scope and personnel, The Bridge on the River Kwai speaks of the code of honour amongst men during war, the respect shared by enemies of war, and the madness which war evokes.  All of it is embodied and summarized by the brilliance of Sir Alec Guiness whose performance here was completely over shadowed by a lesser though much popular turn in a certain space opera.

At the climax of a powerful film comes the most significant moment, a last looks of both confusion and hatred that sets the record straight on who the true enemy really is. Sir Alec would never be that towering again until George Smiley came along.



Saturday, March 24, 2012

REVIEW: 21 Jump Street

You know what? I'm too old for that Sh*t! Since we're talking about rehashing the 80s, it's completely à propos that I should express it. There's a good comedy in there somewhere, but it tries much too hard to both be self-conscious and cater to double-standards of demographics; those who grew-up with the show and want to dwell back in it a bit, and those who love the Apatow-crewesque onslaught of crude humor. I feel terrible for saying I hated it because it's not as terrible as I expected it would be. But  at the end of the day I disliked it greatly, probably because age turned me into Murtaugh.

The film follow a former high school nerdy loser and a former high school star jock who become friends at the police academy and partner after graduation (there's a missed gag right there, if you want to trash the 80s - get the Goot as the instructor for crying out loud!). And since those two are lethal weapons of a different kind, their chief ditches them into a revival of an 80s operation because no one has any original idea anymore so they just rehash stuff from the 80s. I swear to God they say that verbatim in the movie. So those two are sent to high school to snif out the makers of a lethal new drug, but the unthinkable awaits them: nerds are cool now, and jocks are just jocks. One of them gets to live his dream, to other gets to learn valuable lessons. Dear God....

The Good
There is some of it. None of it belongs to Jonah Hill, who should keep to support roles and let others write his dialogs in order to be invited back to the Oscars. The good belongs to Channing Tatum who continues to surprise me every time he does something that doesn't rhyme with "Beehive Schmoe". The dude's got real comedic chops and great timing, and knows better than to try and steal the show; he's a great sounding board for a co-star with greater comedic pedigree and I really hope the Coen Brothers are reading this so they can keep him in mind when they eventually return to funny movies.

The Bad
They just try so hard to be cynical it peels the paint off the wall. Like casting Ice Cube as a commentary on black stereotyping in movies by having him be the most annoying jive talking black guy since Chris Tucker met Brett Ratner. And Tucker shines in comparison. Same for the cracks at how comic books are now cool and the environment is hip. And how someone having his penis cut off is even funnier when he picks it up in his mouth because his hands are tied (it's not suggested, you actually see the poor thing lying there on the ground than in the guy's mouth). The film would've benefited someone wise and humble like Charlie Sheen telling them they're just making fool of themselves. Most of the gags fell flat and forced, and without Tatum's charming oaf it would've been downright boring too.

"I Pity the fool who makes a Mister T joke. I do"

The Ugly
I didn't expect Jonah Hill's writing to be on par with Jane Austen, but having the film's declaration that true manhood is attained by having the courage to shoot someone (in the privates, no less) felt strangely perverse and outdated. And akin to Palin, if I may take a swipe at my favorite hypocrite. The weirdest thing though ***BEWARE - I'M ABOUT TO SPOIL A CAMEO BY JOHNNY DEPP*** is a cameo by... Johnny Depp who pops as undercover agent Tom Hanson from the original show. And gets killed. Still can't figure out if he was paying tribute to the show that put him on the map, or simply flipping the bird at the biggest stain in his career. In any case, it just felt wrong to see him stoop that low. Richard Grieco though, it's always appropriate to make fun of him.

I'll admit it wasn't as horrible as I thought it would come out, but it's by no stretch of the mind a great comedy and will thankfully be forgotten fast as one more bad remake that nobody asked for. But it might also be the one to show Channing Tatum is much more than the dumb action star of a bad Stephen Sommers blockbuster.

Final Word: 4.5/10




Friday, March 23, 2012

Cronenberg Back to his Old Tricks? Teaser for Cosmopolis

A grand master goes back to his beginnings and a new idol tries to move away from his. That's the feeling I get from watching this 30-second teaser that just made Cosmopolis jump straight to the top-tier of my watchlist.

The film is based on a Dan DeLilo novel that received mostly negative reviews, ergo critics didn't like at all. But then again neither did snobs of yore appreciate Burrough's Naked Lunch, which is now considered one of the 100 most important American novels and made for one of Cronenberg's head-scratchiest. THAT alone says a lot...

So this thing down here looks like old school Cronenberg, gritty, dark, bloody, psychedelic and just plain out there. Reminds me of Videodrome mixed with Dead Ringers. It stars Ro Pat, visibly -and understandably- trying to offend his legions of Twihard followers, as a rich and disillusioned young asset manager on a limo ride across town to get a haircut. That's gist of it. Which means anything can happen. This could be the one to show once and for all if Pattinson's got game, and if there's life for Cronenberg after Viggo. AND it's got one of the more eclectic assortment of players seen in a long time: Paul Giamatti, Juliette Binoche, Jay Baruchel, Samantha Morton, Kevin Durand... Who else could bring those people together and make it work?!? Can't wait!

Thursday, March 22, 2012

TAKE 5: Spectacular Flops (In honor of John Carter)


So Disney's pretty much thrown the towel in the John Carter vs The Box Office saga, announcing this week they expect losses in excess of $200M for the film (which felt like a shameless ploy to guilt people into going to see or buying the soon-to-come DVD), and are calling it their biggest flop ever. Which I feel is extremely unfair since it's actually really good (some have been calling it this generation's Star Wars) and I have yet to meet someone who hated it (someone REAL, not some online wannabe critic who writes on a blog with a stupid name, you know the kind...).

So in honor of the film , let's do a comparison:

TAKE 5 OF THE MOST SPECTACULAR FLOPS 


5. Eric Clapton & Anheuser-Busch (1988)
Clapton hasn't really ever been an endorsement kind of guy, which made him the perfect spokesperson since he appeared as anything but a sellout. The guys behind Budweiser and other ales got their hands on him in '88 and had him sign a substantial contract for a marketing campaign that spread from TV ads to print media, cardboard cutouts, personal appearances and probably a swig or two on stage during his concerts. BUT before the first commercial even hit the airwaves, Slowhands had checked himself into rehab; he later said in interview that his struggle while filming it forced him into self-admission about his drinking problem. Awkward is an understatement and not exactly what Bud was going for, and the whole campaign folded rather quickly to significant loss. "Hey folks, THIS is a GREAT beer, though I can't drink it 'cause it turns me into an enormous douche who pisses his life away and beats the shit out of loved ones. But, you know, YOU buy it!"


4. BiC's Disposable Underwear
The BiC brand sucessfully extended its concept of short-term items to multiple products, like lighters or razors or ball-point pens. At some point in the 90's, someone on the top floor figured they should keep "pioneering" by extending said concept to things no one thought of before. First up: Boxer shorts. A post-mortem on the very-quickly canceled experiment had the company saying that people found the brandname association with private-protectors a little awkward. Or, you know, maybe disposable undies is a little too close to diapers and may be the stupidest idea since CBS moved Murder She Wrote to Thursday nights opposite Friends.





3. Sony's Betamax
Truth be told, Betamax was superior to rival VHS in audio and video quality, but it was also costlier, had lower capacity for recording time and Sony tried to shaft its competitors by imposing its technology as the industry standard, for which they were close to convincing the Japanese Ministry of Trade & Industry. JVC wouldn't give in to the monopoly attempt and 18 months later came out with the much more affordable VHS, which could already attain up to four times it's rival's tape recording time and also was much quicker to launch on the North American market. By 1981, 6 years after its debut, Betamax accounted to no more than 25% of all VCR sales, going down to 7.5% by 1985. By the end of the decade, Betamax was synonymous with failure, and a case-study in marketing Dos and Don'ts. Sony got its revenge however, when its bulkier and much-costlier Blu-Ray DVD mopped the floor with HD DVD not too long ago. And just to turn the knife and torture us a little more, they made Spider-Man 3...


2. Montreal's 1976 Olympic Games
For people outside my home province, the '76 Olympiads are synonymous with Nadia Comaneci and Sugar Ray Leonard, but to us it meant decades of taxes just to re-imburse the damn stadium that fell into decrepitude long before it was finally all paid for (which happened in 2006). The stadium tower, which was to be a monument to architectural advancement and ingenuity, was completed after the games and serves as nothing else but a touristic observation spot. '76 is still regarded as the most financially disastrous Games, leaving the city tens of millions in the red and forcing a complete rehaul of how Olympiads are managed, marketed and financed (now relying on the American capitalist model of the '84 venue in LA). Needless to say, when Quebec City was passed over a few years back in favor of Salt Lake (the year of the bribes scandal that forced out the almost entire International Olympic Comittee), taxpayers over here didn't mind at all. Can you blame us?


1. New Coke
There's failure, and then there's Fiasco. And somewhere a few rungs above that, there's New Coke. 200 years from now THIS is the example school teacher will use when explaining the meme of Epic Fail. THIS is the mother of bad business decisions.

Coca Cola felt the competition stiffening in the late-70s, with more and more companies releasing similar soft drinks, so they decided to move ahead and try to look, well..."New", by changing their recipe and ditching the old one. The results, unleashed in 1985, was a unanimous -and instantaneous- rejection by consumers, forcing the company to very quickly come back to the old formula which they dubbed "Classic" Coke.

The Wolverine teaser poster (?)

If it is the real thing, and the folks at Screen Rant say it is, well it starts off much better than the previous piece of shit disappointment that was the awkwardly titled X-Men Origins Wolverine. So this here is a snapshot of a poster that supposedly hangs in the office of one James Mangold, guy who did the Johnny Cash movie (just before Joaquin Phoenix gloriously destroyed his career) and also last year's Tom Cruise bummer Knight and Day (talk about awkward title...) who stepped in and took over the sequel/reboot/thank-God-they-know-it-stunk project when Darren Aronofsky slammed the door because... well because he's Aronofsky and that's what he does.

So anyway, film should be called simply The Wolverine, it,s supposed to follow the storyline of Logan looking for himself in Japan from the comic books (and animated show) and it starts production this Summer for release in July '13. So what do you guys think? I think it looks REALLY cool. I might even get excited (a bit) if it's the real thing.




Tuesday, March 20, 2012

Teenage Mutant Ninja E.T.? Michael Bay strikes again...

*****
UPDATE: Michael Bay responded to wide-spread backlash on his official forum by saying, quote, "Fans need to take a breath, and chill. They have not read the script." 
 I love it when a Hollywood gasbag who entirely depends on my money tells me to "chill". Classic Bay. Ethics have nothing on this guy.
*****


No words. Just... watch.


Michael Bay talks Teenage Mutant Ninja Turtles by stuffwelike

My childhood just threw up a little.

Monday, March 19, 2012

Summit Entertainment may sue you over OWNERSHIP OF AN ENTIRE DAY!

Be advised, forewarned and prepared: if you got out of your house at all to do anything on November 20th  2009, you illegally infringed on the property of Summit Entertainment. That's right buster, that day belongs to the studio that Twilight built, and they will not hesitate to remind you of that fact. So, what did YOU do that day? Huh?!?

Summit's been known to sue anyone (thing) that even remotely threads on the Twilight brand (even things containing the word Twilight from before the books even came out), but this time they cranked the crazy up to 11 by forcing an artist to take down a replica of her painting because of the date on which she created it. That's right folks, corporations are now copyrighting time.

The artist, one Kelly Howlett, was advised by hosting site Zazzle.com that her painting had to be taken down from their site due to a letter received from the studio. The reason for the takedown was initially kept ambiguous, but after contacting the site's administration repeatedly until confirmation that nothing in her painting even reminds of Summit intellectual property (an oxymoron, if you ask me...) she was presented with the incriminating fact: her painting was dated Nov.20th, 2009, the same day as the theatrical release of New Moon.

Kelly fought back by putting it up on another site, and warning everyone through her facebook and twitter accounts that Summit was after that date. The Zazzle folks eventually woke up to the fact they had just bent over for something quite idiotic that seemingly didn't so much come from the studio directly but from a bot surfing the net on its behalf for possible infringement, and generating cease and desist threats to anything remotely emulating their stuff. They ended up re-instating Kelly's painting. Nice peeps. Just don,t expect them to have your back.

Here's a look at the painting that landed Kelly on Summit's radar.


Source: Bleeding Cool
Thanks to Mr.Whiskers for the find.





John Carter: What Happened?!?

I've been meaning to review John Carter since I caught it on opening day, but I doubt my review would've reversed the tide, and quite frankly I didn't expect such a commercial failure. I tremendously enjoyed the film, much-much more than any Transformers atrocity or most of the major blockbusters unleashed every year. It moves along and never bores, shows some impressive visual effects and creative cinematography, and sports a cast that rivals any Soderberg flick. It's an awesome piece of entertainment, which will sadly never get a sequel, not with a 30$ opening weekend on a 250M price tag. So what the heck happened?

First stumbling block would be the studio itself that completely fumbled the marketing campaign. The posters aren't bad, but none of them mention ANY of the powerhouse cast in favor of showing only the star which no one knows outside the elitist Friday Night Lights core fanbase. Neither is there mention that it's an adaptation to  an absolute classic of sci-fi adventure, one so iconic and beloved it's been ripped-off or stolen from by Hollywood for decades (did anyone really think Avatar was original?!?). There there's the title, which not only foregoes the Princess element of the book's title which would've attracted female viewership had they stuck to it, but also ignores Mars in order to call it only John Carter. Which conveys nothing, and interests even less. The romantic angle is never even hinted, the characters are never introduced (not even the cute dog-monster thingie) and without context it just looks like a big mess.

Then of course there's the reviews. Those pesky critics. Most people will claim they possess an independent mind not influenced by overpaid "journalists", but with most "professionals" giving it a scolding, it certainly shows the Lemming mentality of our society if people who've actually seen it (well, at least all the people on the spot where I watched it) were entirely surprised at how good it was. The trades seem to have been struck with a case of blockbuster fatigue, or simply reviewed it without watching it, as many simply called it "more of the same". Of COURSE it's repetitive, it's based on a 95 year-old novel that every Hollywood screenwriter and director copied at one time or another. That doesn't make it bad, especially not with Andrew Stanton negotiating himself a blank check to make the film he truly wanted without studio roadblocks everywhere. Here's a funny comparison: G.I.Joe: Rise of Cobra, the 4th biggest load of cr*p in 2009, was NOT screened for critics and sure enough ended its run with $302.5M. Ergo no reviews is much better than bad reviews...

"You're right, Nic Cage movies look better from far far away".

Last but certainly not least: the release date. January and February are months of sadness in terms of movie-going, only bombs and "mistakes" get released there. And that usually splashes onto early March, no one expects a great movie there. This is a Summer-Blockbuster type of film, and should've been released as such, but audiences, dealing with the first Daylight Saving weekend of the year and having recently dealt with Spring Break, saw the "Ghost" of Nic Cage in it and promptly decided to stay warm and cozy at home. Which in turn negates the usual word-of-mouth that usually brings a large portion of the film's business. Only word of mouth here was that critics hated it. Whether we like it or not, people have gregarious instincts, crowds follow crowds and sheep will always be sheep. If no one goes, no one will want to go, simple math.

Hopefully Disney will get it together in time for the DVD release and give that a more proper marketing push. I doubt it'll be enough to warrant even one sequel, but at least then audiences will discover this film for themselves and realize what too few people already know: this is movie is awesome fun.



Friday, March 16, 2012

SCENE IT: I Always Wanted to Be a Gangster


GOODFELLAS: INTRO SCENE

I have a confessions to make: I didn't really like Martin Scorcese back in my younger years of being an arrogant know-it-all teenager. I just didn't "get" his movies, much too dark and slow-paced for my taste, so aside from Color of Money nothing of his really made my grade. Until I was 17.

I caught Goodfellas late at night on cable, nothing else to watch and too bored out of my mind to grab the remote. I didn't know what the film was, but the opening shot made me curious. Why is this car careening all over the lane in the dark? What's the guy from Field of Dreams doing with Al Capone and Leo Getz?? And then they pull over and open the trunk... The final blow: Ray Liotta's narration. BOOM I'm a Scorcese nut for life.

Today's Scene It: The game-changing opening scene from Scorcese's masterpiece Goodfellas.

Goodfellas - Intro from Arnprior on Vimeo.

So I just watched the trailer for Dark Shadows...

...and I can't really blame anyone for my expectations being what they were, but still, what the f"%$?!%! For some reason I was expecting this to be Sweeney Todd with more bloodsucking and less singing. But this...This is Rip Van Winkle: Disco Inferno

I'm honestly VERY disappointed. Not because it looks bad (well, it does a little) but because I was expecting  -Nay, HOPING for a movie version of the dark supernatural thriller of a soap this was based on. Burton did great comedy in the past, but a comedy is not what fans wanted from this, especially not a spoof of the cult show as opposed to, say, an adaptation. I was wondering why we still hadn't seen a trailer yet with barely two months to go before release, and now I know.

Hopefully this trailer is merely a misfire that crammed the entire film's comic relied in 90 seconds, allowing me to get the wrong impression. But for now it's the only impressions I gots, so this one's going down from Must-See Top-5 to Coin toss between this and Battleship. Yeah, THAT bad. Check it out below and sound off with your own thoughts.